When I first started writing I had no idea what I would do with my book once it was done. It was right about the time that Amazon introduced the Kindle and brought independent publishing to the masses, but self-publishing was also very unproven. I looked into traditional publishing and independent publishing, and one of the most vocal supporters of indie authors, one of the people who convinced me to go the indie route, was Joe Konrath ( http://jakonrath.blogspot.com/ ).
If you don’t know Joe, you can read his short bio here: http://jakonrath.com/bio.php , but it really doesn’t do justice to who this man really is. Besides being a “pioneer in self-publishing”, he was also one of the first (and arguably best) to share his knowledge with anyone / everyone for free. He tried new things, blogged about his experiences, and shared exactly what worked and/or didn’t work for him as a traditionally published writer and as an indie-author. Once I found his blog, I was hooked.
Unfortunately, Joe stopped blogging about a year and a half ago. For the first several months I checked back often, hoping that he would have a new post for me to read. That didn’t happen. As time passed, I checked back less frequently, until I pretty much forgot about his blog. There are still a few writer-centric websites I check out from time-to-time, and thankfully one of them (http://www.thepassivevoice.com/ ) alerted me to that fact that after way too long, Joe’s Back!
I’m a little late to the party, so I haven’t had a chance to read all 4 of his new posts, but based off the one I have read, this is the same old Joe so I can’t wait to read all his updates. The post I read ( http://jakonrath.blogspot.com/2019/06/trying-something-new-and-different.html ) is very open and honest about what he’s doing as an author, as expected. But what I found most intriguing is that he, an established author with millions of sales, had his latest books rejected by each of the major traditional publishers his agent approached. He listed several possible reasons for the rejections, but regardless of the reason, it did make me start to reconsider the traditional approach for My Life As Death.
I don’t know what the future will hold, but for now I’m going to stick with my plan on submitting to a traditional publisher, though when the book is done I might run a poll to see what you readers think. In the mean time, you can get the first of Joe’s two new books for free at Amazon, Kobo, and Nook.
It doesn’t seem possible that 6 years ago I took the plunge and published my first book – The Dark Genesis of Daniel James. When I first started writing it, I planned on continuing the series right away, and I even have the sequel halfway done, but then I started to play around with other characters and other worlds.
23 Hours came to me in a flash, and I liked the idea so much that I just had to write it. Being a novella, just over 20,000 words, it only took a couple months to finish 23 Hours but by the time it was done, I already had another story I just had to write; The Consciousness Puzzle.
The Consciousness Puzzle took a bit longer to finish than I expected. I was really still so new to writing and filled with self-doubt so I restarted it a couple times, bouncing between 1st and 3rd person view points, and trying different voices before finally trusting myself. I also worked on a sequel to 23 Hours, and hopped back and forth between the two projects for a while before decided to focus on The Consciousness Puzzle. Once I decided on that, and allowed my own voice to flow, I was able to finish the book.
But once again, by the time I finished The Consciousness Puzzle I had an Idea for its sequel, so as soon as I published it, I started on Zero Sum. Everything was going pretty well with Zero Sum when I had yet another idea for a book I just had to pursue – My Life As Death. I tried putting off MLAD until I finished Zero Sum, but eventually I just had to at least start it. So this past year I’ve been working on both MLAD and Zero sum, hoping to complete one so I can get another book published.
So that’s a brief look at the last 6 years of my writing. I definitely wanted to be a bit more productive than that, but I feel this year will be different, and I will definitely have at least one new book out, so keep checking back here for updates.
I’ve independently published each of my books so far, and I love doing so, but with My Life As Death I’ve decided to try the traditional publishing route. There are a lot of benefits to indie publishing, and a lot of negative aspects of traditional publishing but I think it will be worth trying at least once.
To start down the traditional publishing route it’s usually recommended that you have an agent, so the first step for me was to research agents. Unfortunately there are a lot of them out there and I have no real connections to the literary world so it was a bit like trying to research insurance or real estate agents for the first time. But I found several agents that looked reputable and successful so I then started researching what I needed to do to query an agent. That’s where I got stuck.
Most of the agents I am interested in request a synopsis of your book. Since I’m writing MLAD without any sort of outline and it’s only a little over 1/2 way done , I can’t say exactly what’s going to happen in the rest of the book. And I get the impression most agents aren’t interested in half of a synopsis, so the agent search is temporarily on hold, and it sucks.
But that is very indicative of my biggest problem with traditional publishing – the waiting. I’m one of those people who likes to multitask and keep moving forward but everything in trad publishing seems to take forever. Complete the book, write query letters and a synopsis, then wait for an agent to agree to represent you. Then query publishers and wait for one to accept you. Then go through rounds of editing, cover design, layout etc…, then wait for it to finally be published. Just writing out the process depresses me because I can’t wait to get this story to the readers. But I’m going to attempt the trad route which means I’m going to have to learn to be comfortable with the slower process. And in the mean time, I still have a couple other nearly finished books that I’ll be able to independently publish.
I’ve had a few nights recently where I’ve laid in bed thinking about my books instead of sleeping. I know a lot of people suggest keeping a note book by the bed for just such an occasion but I’ve never felt a need to do so. If the thoughts are really good, and especially if they are about a current book I’m working on, then I have no trouble remembering.
The first night it happened I found myself thinking about “My Life As Death” and some of the interactions the main character had with secondary characters. The scenes were good, the interactions felt natural and everything moved the story forward so I had no idea why my mind was focused on them. But as I laid there, I realized that the secondary character was going to have a bigger part to play in the story a little later on. It was exciting to know a little of what was to come, but with that figured out I was able to sleep.
During the next night of sleeplessness I found myself thinking about the same book and the same secondary character so I was a little upset. I’d already spent some sleepless time dealing with them and I thought I had it all figured out so I didn’t want to spend more time thinking about them and not sleeping. But then my thoughts drifted to their back story. I’d hinted about their history a little, and dropped a few details to add some depth to their character, but I didn’t expect it to have a major influence on the overall plot. Then somehow, those little details that I’d sprinkled into the beginning of the story, began to make even more sense to the overall plot. I saw not only what was going to happen to this secondary character, but also why. And it all tied back to some of the earliest words I’d written about them even though I hadn’t planned it at all. Those details, which I’d considered to be a throw away character description, turned out to be part of one of the biggest twists I’ve written. I loved it and I loved the character even more because of it. Too bad they have to die.
I don’t know what it is about the rain, but I love it. It doesn’t really make sense because I’m very active outside and rain usually stops me from doing most of the things I like to do outside, but I love a good storm. Even more so, I love writing on my back porch, under the steel roof during a good storm and this morning I got to do just that.
I haven’t been writing quite as much as I would like to recently but it’s been for the right reasons. And as I get used to the contract work I’m doing, and the kids and new grandkids get settled into their routines, I’m sure my writing time will increase. But even with the little time I’ve been allowing myself to write, I’ve been making great progress on My Life As Death. This morning I hit 30,000 words which is somewhere between 35% and 60% of where I expect it to end up. There’s a lot of discrepancy in what various people consider acceptable word count for novels but I like shorter books so I target 50,000-80,000 words, especially for a young adult book like this.
But even though the writing is going well, I thought I’d been hit with my first bout of writer’s block with this story just a couple days ago. I had a good writing session one day but when I sat down to continue the next day I realized the main character Nate had agreed to get together with one character (Shawna) but ended up doing something else with another (his best friend Weed). It was a silly mistake, so I decided to rewrite the scene having him get together with Shawna like he’d promised. Only, I struggled with that writing session. I had to work to get anything typed up and when I re-read what I wrote, it didn’t really seem to advance the story or any of the characters; It was just kind of a filler scene. I didn’t like it at all. The scene might have worked at a different point in the story, but not there.
The problem was that I knew exactly what the story needed (the scene with Weed) and I ‘d already written it, but only because I’d forgotten that Nate had made other plans. Then it dawned on me that since I’d forgotten Nate’s other plans so easily, he might have as well. I put the original scene back in, and had Nate realize too late that he’d forgotten his plans with Shawna. This took things in a whole different direction and compounded some already existing conflict between him and Shawna. So what I thought was writer’s block was just the story telling me to get out of the way because it knows what it’s doing.
So this morning, as I wrote in the rain, I got to continue on from that point in the story and I can honestly say that I didn’t see anything that I wrote coming. And because the story keeps surprising me and keeps drawing me further in, I hope it’ll do the same to you when you finally get to read it.
I’ve talked a little before about my latest work-in-progress My Life As Death, but I wanted to go a little more in-depth about it. The idea for the book is basically this:
On the eve of his senior year, almost-eighteen year old Nathaniel (Nate to his friends) gets into a drunken accident, totaling his car and ending his life, or so he thought. In the darkness of death, a face appears and offers him a deal; agree to become a Grim Reaper (yes, there’s more than one Grim Reaper), send 10 well deserving souls to the afterlife and he will get to finish out the life he was meant to live. Fail to reap all 10, and Nate will forever be a servant of death.
Now Nate’s not a homicidal maniac; to the contrary, he actually doesn’t like the idea of having to kill anyone, but he’s guaranteed to only have to reap the truly evil, the murderers, rapists and child molesters. How could anyone have a problem with getting rid of those people? Right? Upon touching the guilty party, Nate will even see their evil deed and know the punishment is deserved. Then he just has to decide how they’ll die. But not everything is as simple as it seems, especially when everyone has secrets.
I don’t know exactly why the plot intrigued me so much, but the idea of trying to get through high-school and deal with being a part-time agent of death wouldn’t go away. And it might not just be the plot itself, but the characters that kept me going back to it. I put a bit of myself, my friends and my experiences into each of my books, but this one seems to have a lot more of me in it. While writing this book I tend to listen to more of the songs from my teenage years than normal. I reminisce a lot more than I ever have. I’m only about a third of the way through the book, but I already feel so drawn into it that it’s hard to focus on any of my other works-in-progress. But that’s a really good thing, because this is going to be the first book I try to get a traditional publishing contract with so the sooner it’s done, the better.
And just incase anyone is wondering about the graphic at the top of this post – no, that is not indicative of what the book cover will look like. I have several different ideas for the cover, but I’m nowhere close to deciding what it should be. But I think the skull graphic does share the same feeling as the book. It’s a little dark and creepy, a little cute and funny. And I think that’s a good way to describe the book.