Writing in Public

Dean Wesley Smith just announced that he’s going to be “Writing in Public” again, and I love the idea. Basically, as a professional writer, he posts updates every day about the book he’s working on. He’ll include his thoughts on the writing, word counts etc…, and I love when he’s done this in the past. Unfortunately, I have not reached the point where I could do daily updates like that, because I don’t write every day, but his announcement did help me realize that I have not been providing updates on my books as often as I’d like. I have several books in process, and people do occasionally ask me about them, so I’m going to try to do better at providing updates, at least weekly. So in order to catch up anyone who’s interested, here is where each of the books stand:

My Life As Death
This is the book I’m working on the most. I believe it will give me the best shot at securing an agent and possibly a traditional book deal, so once it’s done I will start shopping it around. As of right now, based off word count and story structure, it is 60-70% done.
Word Count: 41,421

After the End
After the End is the novella that takes place after the end of 23 Hours. Initially I planned a four novella series starting with 23 Hours, but decided I liked how 23 Hours ended, so I never completed any other books. Right now it’s about 90% done, and I’m not sure if I want to finish it or not. It’s a fun story, and I have ideas for the other 2 parts of the series, but I’m not sure if I’ll ever pursue them.
Word Count: 21,271

Zero Sum
Zero Sum is the sequel to The Consciousness Puzzle. It’s my second highest writing priority, after MLAD. It’s very much a Mike Locke story, with a bit of intrigue, a little humor and a lot of action. It too, is about 60-70% complete. Once I complete MLAD, and as I look for an agent, I plan on finishing Zero Sum and publishing it as quickly as possible. I’be already got ideas for the next 3 Mike Locke stories and I’m dying to write them.
Word Count: 45,378

The Failed Exodus of Daniel James
As the name suggests, this is the sequel to The Dark Genesis of Daniel James. I started writing it just after finishing Dark Genesis, but then got the idea for The Consciousness Puzzle, then 23 Hours, etc… one thing led to another and Failed Exodus ended up neglected. I still think the book, and the plan for the rest of the series, is a good one, but there’s a lot that goes into writing the Daniel James series so it has dropped to 3rd or 4th on the priority list.
Word Count: 15,559

I have about 2 dozen other books I’ve started which will probably never see the light of day. I’ve also got about 3 dozen plot ideas I’d love to work on, but first I’ve got to finish these four.

So now that you’re all caught up, I hope to keep the updates coming. If there’s a particular book you’re dying for me to finish, let me know in the comment section.

“Good” Is No Longer Good Enough

Today I had an early appointment at the car dealership to have my wife’s car worked on. The car only has 50K miles, so I wasn’t happy about it, but it was covered under the warranty and the wait gave me a chance to do a little writing. I haven’t worked on Zero Sum for a while, and it’s been sitting at about 90-95% done, so I really wanted to make some progress on it. Unfortunately, as I read the last bit I’d written, I realized that it really needed some work. The story is good, but I’ve decided that “good” is no longer good enough for me.

When I first started writing it was strictly for myself. I had characters and stories floating around my head and I wanted to write a novel to entertain myself, so I wrote Dark Genesis of Daniel James. By the time I wrote The Consciousness Puzzle, I had already published Dark Genesis and it had been downloaded a couple thousand times, so I knew people might actually read my stories, but I continued to write TCP for myself. I figured The Daniel James Saga would give me the best chance for commercial success so I didn’t really take the Mike Locke books seriously; they were just fun genre stories so “good” was my quality target. But as I said, good is no longer good enough.

As I sat in the dealership waiting room, I thought about the the various scenes and plot points in Zero Sum. About half of them are great and I can’t wait for people to read them; about half are average. While I think the book would be a fun read for just about anyone, I also think that the book overall would be completely forgettable. So I started dissecting those week plot points to determine how to make them stronger; how to use them to keep the story (and subsequently the reader) moving forward. In a very short time I came up with a number a changes that would make Zero Sum a much better story. Unfortunately, that means rewriting; a lot of rewriting.

Normally I try to stick with Robert Heinlein’s rule# 3) You must not rewrite unless to editorial demand but I also keep in mind Dean Wesley Smith’s thoughts on the matter. Dean believes in a distinction between rewriting and redrafting. What I have planned for Zero Sum is more of a redraft than a rewrite. I’m tossing out large parts of the story and rewriting from the creative side of my brain now that I know where the story is going. I really don’t like the idea of “loosing” 25,000 words but it will definitely strengthen the story and take it from “good to “great” so it will be worth it.

Joe’s Back!

When I first started writing I had no idea what I would do with my book once it was done. It was right about the time that Amazon introduced the Kindle and brought independent publishing to the masses, but self-publishing was also very unproven. I looked into traditional publishing and independent publishing, and one of the most vocal supporters of indie authors, one of the people who convinced me to go the indie route, was Joe Konrath ( http://jakonrath.blogspot.com/ ).

If you don’t know Joe, you can read his short bio here: http://jakonrath.com/bio.php , but it really doesn’t do justice to who this man really is. Besides being a “pioneer in self-publishing”, he was also one of the first (and arguably best) to share his knowledge with anyone / everyone for free. He tried new things, blogged about his experiences, and shared exactly what worked and/or didn’t work for him as a traditionally published writer and as an indie-author. Once I found his blog, I was hooked.

Unfortunately, Joe stopped blogging about a year and a half ago. For the first several months I checked back often, hoping that he would have a new post for me to read. That didn’t happen. As time passed, I checked back less frequently, until I pretty much forgot about his blog. There are still a few writer-centric websites I check out from time-to-time, and thankfully one of them (http://www.thepassivevoice.com/ ) alerted me to that fact that after way too long, Joe’s Back!

I’m a little late to the party, so I haven’t had a chance to read all 4 of his new posts, but based off the one I have read, this is the same old Joe so I can’t wait to read all his updates. The post I read ( http://jakonrath.blogspot.com/2019/06/trying-something-new-and-different.html ) is very open and honest about what he’s doing as an author, as expected. But what I found most intriguing is that he, an established author with millions of sales, had his latest books rejected by each of the major traditional publishers his agent approached. He listed several possible reasons for the rejections, but regardless of the reason, it did make me start to reconsider the traditional approach for My Life As Death.

I don’t know what the future will hold, but for now I’m going to stick with my plan on submitting to a traditional publisher, though when the book is done I might run a poll to see what you readers think. In the mean time, you can get the first of Joe’s two new books for free at AmazonKoboand Nook.



6 Years!

It doesn’t seem possible that 6 years ago I took the plunge and published my first book – The Dark Genesis of Daniel James. When I first started writing it, I planned on continuing the series right away, and I even have the sequel halfway done, but then I started to play around with other characters and other worlds.

23 Hours came to me in a flash, and I liked the idea so much that I just had to write it. Being a novella, just over 20,000 words, it only took a couple months to finish 23 Hours but by the time it was done, I already had another story I just had to write; The Consciousness Puzzle.

The Consciousness Puzzle took a bit longer to finish than I expected. I was really still so new to writing and filled with self-doubt so I restarted it a couple times, bouncing between 1st and 3rd person view points, and trying different voices before finally trusting myself. I also worked on a sequel to 23 Hours, and hopped back and forth between the two projects for a while before decided to focus on The Consciousness Puzzle. Once I decided on that, and allowed my own voice to flow, I was able to finish the book.

But once again, by the time I finished The Consciousness Puzzle I had an Idea for its sequel, so as soon as I published it, I started on Zero Sum. Everything was going pretty well with Zero Sum when I had yet another idea for a book I just had to pursue – My Life As Death. I tried putting off MLAD until I finished Zero Sum, but eventually I just had to at least start it. So this past year I’ve been working on both MLAD and Zero sum, hoping to complete one so I can get another book published.

So that’s a brief look at the last 6 years of my writing. I definitely wanted to be a bit more productive than that, but I feel this year will be different, and I will definitely have at least one new book out, so keep checking back here for updates.

Looking for an Agent

I’ve independently published each of my books so far, and I love doing so, but with My Life As Death I’ve decided to try the traditional publishing route. There are a lot of benefits to indie publishing, and a lot of negative aspects of traditional publishing but I think it will be worth trying at least once.

To start down the traditional publishing route it’s usually recommended that you have an agent, so the first step for me was to research agents. Unfortunately there are a lot of them out there and I have no real connections to the literary world so it was a bit like trying to research insurance or real estate agents for the first time. But I found several agents that looked reputable and successful so I then started researching what I needed to do to query an agent. That’s where I got stuck.

Most of the agents I am interested in request a synopsis of your book. Since I’m writing MLAD without any sort of outline and it’s only a little over 1/2 way done , I can’t say exactly what’s going to happen in the rest of the book. And I get the impression most agents aren’t interested in half of a synopsis, so the agent search is temporarily on hold, and it sucks.

But that is very indicative of my biggest problem with traditional publishing – the waiting. I’m one of those people who likes to multitask and keep moving forward but everything in trad publishing seems to take forever. Complete the book, write query letters and a synopsis, then wait for an agent to agree to represent you. Then query publishers and wait for one to accept you. Then go through rounds of editing, cover design, layout etc…, then wait for it to finally be published. Just writing out the process depresses me because I can’t wait to get this story to the readers. But I’m going to attempt the trad route which means I’m going to have to learn to be comfortable with the slower process. And in the mean time, I still have a couple other nearly finished books that I’ll be able to independently publish.